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interesting dialog

Writing Effective and Interesting Dialog

Interesting dialog is an essential part of an effective memoir. It performs several functions in making your story interesting and meaningful. Every memoir ought to have carefully reconstructed dialog.

Here are some reasons for including dialog in your memoir:

1. Dialog allows the reader to hear the character speak for himself or herself.

If your character had some defense, for instance, of a behavior, you can include it here.

  • “I know it didn’t look good,” my uncle Victor said in his brash voice, “but it wasn’t me who did it.”

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It is an opportunity to use regionalisms and particularities of speech.

  • “Ain’t much wrong with it,” my grandfather would say when he was pleased with something.

You can even write in the pauses if that was typical of the person.

  • After asking my grandmother a question I could often hear the faucet dripping or a dog barking outside. I don’t know if she was thinking of her answer or if she was just savoring how astute I was. As I grew older, I learned to let there be space in our conversation for her to answer.

2. Dialog allows us to show and not tell. It permits the writer to put “tell” elements into the voice of the character rather than that of the author. It thus becomes “show.” When the author presents info, however, it is “tell.”

  • “I’ve always been an immature person,” he said. vs.
  • John was an immature person.

Of course, you have to use dialog that you actually heard or have drawn from a letter or a journal. You cannot make things up just to ease your writing task.

3. Dialog imparts immediacy to the story. It has a “you are there” quality.

“Look at me, she said. “Look at these hands.”

Tips for Writing Interesting Dialog

1. Keep it short—if you want

It’s harder to mess up short dialog than it is to mess up long dialog. Keep explanations for the narrative.

Terrible dialog:

“This is my cousin Elizabeth,” she replied, “whose father once had a hardware store on the corner of Huntington and Blake and whose business won best in the state three times in a row, but who finally got sick of hardware and turned to accounting.”

Better dialog (short) with accompanying narrative:

“This is my cousin Elizabeth,” she replied. Elizabeth’s father once had a hardware store on the corner of Huntington and Blake. His business won best in the state three times in a row, but he finally got sick of hardware and turned to accounting.

2. Insert feeling and emotion in the dialog.

Again keep analysis or interpretation for the narrative.

“I hate you!’ he snarled. He had been putting up with his brother for a long time and now…

3. Do not replicate most dialogs from real life in your story. It is not interesting dialog.

Next time you are in a public place, listen to dialog around you. You will easily notice how repetitive, aimless, and meaningless it often is. Much of it just fills the air! Lifestory dialog has to move your memoir along. It cannot be a filler. It cannot be used because “That’s really what we said.”

In the first example below, the dialog doesn’t move the story along. It’s simply imitative of real life. In the second, we have a glimpse of the character’s life and so this bit of dialog moves the story along.

Terrible dialog that imitates life:

“What will you ladies have today?” the waitress asked Theresa and me.

“What’s the special?” I asked.

“Halibut.”

“Halibut! Oh, I had halibut at my daughter’s the other day. No, I want something else.”

Better, interesting dialog:

“What will you ladies have today?” the waitress asked Theresa and me.

“What’s the special?” I asked.

“Halibut.”

“Halibut!” For a moment, I was taken away by a feeling that I could not describe, but then it came to me. I had ordered halibut the day Tom had taken me out to lunch to tell me he was divorcing me.

4. Skip dialog if it doesn’t add anything.

Yes, dialog can give voice to a character, but let’s not make that voice boring. In the restaurant scene above, it would be preferable to skip the dialog with the waitress and just move on to what happened between you and Theresa. If nothing happened, skip the restaurant scene altogether.

Good luck writing the dialog of your stories!

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