Use sense details in your stories to engage and hook your readers. A successful memoir needs sensory details to bring your story to life and make the reader feel as if it is unfolding in front of him. [Free Membership required to read more. See below. ]
Tag Archives | Improving my memoir
Writing for an audience may be more important than you think. Sometimes the audience is of specific people but many other writers, while they do have a specific audience in mind, are really writing to a group according to their interest.
“I want to write for my kids and grandchildren. I want them to know who I was,” one sort of memoirist will realize. While another will think, “I want my children and grandchildren to know me, too, and I want to place my life in a greater context. I’m hoping to have readers beyond my kin, readers who are interested in a larger picture of what life was.” [Free Membership required to read more. See below. ]
People will sometimes suppose that only big drama can make an interesting memoir. Of course, there are many readers who require constant titillation if they are to remain reading. Perhaps they are not the readers you should be seeking for your memoir. Nonetheless, nearly all readers require some attention to “interesting.” No, I do […]
Writers sometimes struggle with how to begin a story and will not write the story until they have the beginning—the first paragraph.
This is not a good way to proceed.
The first paragraph of a memoir sets the tone.
The first paragraph creates the tone and often presents imagery that will shape the reader’s appreciation of your story—whether a vignette or a full memoir.
In a short story I wrote many years ago, I did not compose the first paragraph until I had written the whole story. Frankly, I was stumped and did not know how to begin the story, how to launch the reader.
Memoir writers can achieve much alone. But, it is also true that working with a memoir professional can cut down the time it takes to produce a book of memoirs and can significantly jack up the quality.
All About the Memoir Editing Process
When I begin the memoir editing process with clients, I tell them that a proper editing requires three “read-throughs.” It is impossible to give a manuscript all the attention it deserves in one reading.
Reading a manuscript without doing any specific editing and forming only a general impression has always seemed a good idea in theory, but I have not found a way to do so that is economical. I have therefore evolved this concept of read-throughs as a memoir editing technique. [Free Membership required to read more. See below. ]
Writers ask me what they can do the most easily to write a better memoir. While I can understand the wish to write more quickly and easily, I’m going to share with you that writing a better memoir needs to be done slowly and thoughtfully. A rushed job is probably going to be a botched […]
Note from the Editor: This third installment of Before Sending a Manuscript to an Editor series offers basic editing tips around time sequencing and flashbacks. For Part 1: Self-Editing Techniques Click here. For Part 2: Use of Time Click here.
A writer can effect these tips to bring a manuscript to a higher level of finish before sending the piece off to a professional editor. In this section, I write about use of time: specifically, cause and effect time sequencing and flashbacks. [Free Membership required to read more. See below. ]
People who are writing a memoir will sometimes say, “I want to write my stories but I have forgotten so many details. Is there any way I can get them back? Should I use writing prompts?” There is one tool above all others that makes the experience of life writing successful. That tool is not […]
Is your family one of the many whose history is at risk for getting lost to future generations because no one has written it down? Here is a clear focus for writign a memoir Writing your lifestories—even just a few—is a great way to memorialize your family and to keep the experience of your life—and […]