While family and friends are a worthy readership for your memoir, it is possible to reach an even larger audience. Here are four suggestions to enable your story to appeal to a broader public. [Free Membership required to read more. See below. ]
Tag Archives | add depth to my memoir
One of the writing process steps is to linger with your story. Many, and perhaps most, people write too fast. I don’t mean that they end up with a text characterized by sloppy grammar, spelling problems and chronology issues—although that may be the case, of course.
No, what I mean is that they push through the process of writing their stories much too quickly. They end up with only a part of the story they could have written had they lingered. [Free Membership required to read more. See below. ]
Every memoir, during its preparation stage, needs to have these three functions filled by an appropriate professional. No book ought to go out into the world without having these three tasks implemented. Developmental editing is somewhat different. It has to do, as the name implies, with developing a manuscript to its full potential, and a […]
Note from the Editor: This third installment of Before Sending a Manuscript to an Editor series offers basic editing tips around time sequencing and flashbacks. For Part 1: Self-Editing Techniques Click here. For Part 2: Use of Time Click here.
A writer can effect these tips to bring a manuscript to a higher level of finish before sending the piece off to a professional editor. In this section, I write about use of time: specifically, cause and effect time sequencing and flashbacks. [Free Membership required to read more. See below. ]
People who are writing a memoir will sometimes say, “I want to write my stories but I have forgotten so many details. Is there any way I can get them back? Should I use writing prompts?”
There is one tool above all others that makes the experience of life writing successful. That tool is not a writing prompt: it is the Memory List. No other exercise opens up the process of life writing as quickly and as surely as the thoughtful and thorough compilation of such a list. It’s simple, and as a first step, it’s crucial.
Let me tell you about the Memory List (a general term for your list of memories).
That our memoir is insignificant is about the last thing we memoir writers ever want to read about our magnum opus. How do we write a significant memoir? What separates a significant memoir from an insignificant one? I’ll give you a hint: it’s not fame it’s not the scope of the arena of the action. […]
Point of view in a memoir can cause a major problem
In 1996 and 1997, I composed about 200 pages of a memoir of my high school years and then it wasn’t going anywhere more than where it had been—mired in facts and details with no spirit.
I merely stored it in various computers for years.
In the fall of 2013, I completed my mother’s memoir (We Were Not Spoiled). Because I was looking for a writing project I might devote myself to next, I picked up the high-school memoir. [Free Membership required to read more. See below. ]
How a “one true sentence” can save your memoir
I have found the “one true sentence” to be very effective in focusing both my own memoir writing and in the writing of people I have coached and edited. Hemingway’s one true sentence is an effective tool for better writing. [Free Membership required to read more. See below. ]
The following is the third installment of a three-part series on the use of myths and archetypes in memoir writing. In this first post of Your Life as a Myth, I wrote about both archetypal patterns in general and about the martyr archetype. In the second post, I wrote about the orphan and the martyr. These posts are excerpted from Turning Memories Into Memoirs / A Handbook for Writing Lifestories.
In the first installment of Your life as a Myth I wrote about the martyr archetype and in the second installment, I wrote about the orphan and the prince-left-at-the-pauper’s-door. Today, I will offer you some practical suggestions for implementing the concept of archetypes in your memoir writing.
Writing from the perspective of personal myths can explain a lot about the stories you are recording. In addition, consciously living archetypes in your own life and turning them into positive forces is a rewarding path for self-growth. [Free Membership required to read more. See below. ]
The following is the first installment of a three-part series on the use of myths and archetypes in memoir writing. In this first post of Your Life as a Myth, I write about both archetypal patterns in general and about the martyr archetype. In the second post, I write about the orphan and the martyr. In the third post, I write about general considerations of using myths and archetypes. These posts are excerpted from Turning Memories Into Memoirs / A Handbook for Writing Lifestories.
Myths are the stories we create to express how we perceive the world and life. How we live our lives is determined by the myths we live by, but our lives also reveal our myths to ourselves and to the world.
What are your myths? Look at your life, at your feelings, at your responses to others. That is where your myths reside! That is where your life as a myth can be found. [Free Membership required to read more. See below. ]