
Writing Hooks to Open a Paragraph or Chapter
How do you start a chapter with writing hooks that capture the reader’s interest? Try these 3 methods create curiosity in your reader!

Don’t Worry About a Thing / Katherine Sullivan
Denis Ledoux: At The Memoir Network, we had the pleasure of working with Katherine Sullivan for several years as she edited her memoir, Don’t Worry About a Thing, with one of our editors, Frances King, and focused on book production with Sally Lunt. Because of her insightful articulation of her life experience, I am delighted she agreed to do the following interview (conducted by email.)
Denis: Can you tell our readers—your fellow writers—what your book is about and why you were impelled to write it? What was driving you to spend the time, energy and money to get this book out into the world?
Katherine: Don’t Worry About a Thing is a coming-of-age memoir about life in a small Maine town in the middle of the twentieth century. As a child of a Greek immigrant and a Maine country girl, I tried to find my place in the world. Not all immigrant stories are success stories. I was impelled to write this book to help me find meaning after a childhood spent with a father whose gambling addiction affected every aspect of my life. I searched for answers in an unstable world, and writing was a place where I could question and discover who I was and where I fit in the world. My personal therapy.
Denis: Tell us about your writing process and how long you worked on this memoir.
Katherine: I began actively working on this book in my fifties, so about twenty years, but I knew from when I was a young girl that I wanted to write. There were long breaks when my life in the present got in the way of my writing about the past. I knew though, that I would finish, and to get me motivated during those dry spells, I took writing workshops at various intervals.
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Writing Process Steps—Linger With Your Story
One of the writing process steps is to linger with your story. Many, and perhaps most, people write too fast. I don’t mean that they end up with a text characterized by sloppy grammar, spelling problems and chronology issues—although that may be the case, of course.
No, what I mean is that they push through the process of writing their stories much too quickly. They end up with only a part of the story they could have written had they lingered.
So many times in my workshops, I have found it easy to tell those manuscripts that have been lingered over from those that have not. As somebody’s face reveals Irish ancestry or Italian heritage, a piece of writing reveals its past.
There is a quality to a piece that has been rushed that is easily discernible to anyone who has learned to write more slowly. So…learn to linger with your story.
One of the essential writing process steps
1. When you don’t take the time to linger with your story, you generally are unable to feel the full import of your memoir.
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Writing Feelings into Your Memoir
Recently, David asked in an email about “writing feelings into your memoir,” about writing a memoir that, if I am understanding him right, is not all details and facts.
Below is my response which can serve as a stand-alone article to help you write your own memoir.
Leave a comment below expressing your experience of writing feelings into your memoir.
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Here are some of my suggestions for writing feelings into your memoir:
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The Theme-focused Memoir
While many of the people whom I have helped to write a memoir have come ostensibly to write about their lives – to celebrate some achievement, I would say that many of these people are also writing a mission-driven memoir, a theme-focused memoir.
Behind the desire to tell about their lives, there is some intent to promote a point of view. This comes under many guises. Generally, of course, this point of view is called “theme.”
The theme-focused memoir is the most common model.
Writing a manuscript only of one’s experience—the dates, the facts, the activities—may often not enough to entice the reader—at least, it will not interest the reader who is not family and friends. [Free Membership required to read more. See below. ]
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Should You Create an Outline or a Memory List for your Memoir?
DL: An outline or a Memory List? This is a perennial favorite with the search engines. I consider it to be a foundational post whose info can guide you to success. I hope you enjoy it.
A Memory List is far superior to an outline!
For some writers, there comes a moment in writing a memoir when the audacity of the undertaking hits them. Perhaps they think doorslammers like: “This can take forever.” “Writing a memoir will never pay for itself.” “I can’t afford to do this!” They reach for certainty. And that certainly if often a reversion to essay and report writing. They want an outline to assure the task gets done right. So, an outline or a Memory List?
The following is a comment to someone who asked in the Memoir Forum if she should create an outline and how to know when the page and chapters were the right length.
1. Do not write a memoir from an outline.
I do not write from an outline. Instead, I create a Memory List as outlined in Chapter 2 of Turning Memories Into Memoirs. The Memory List helps you to follow the promptings of the unconscious rather than the dictates of the conscious mind as happens with an outline. (An outline is great for an essay—”The Three Causes of the American Civil War”— but it is the death of an exploratory memoir.) So…
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Shaping Your Theme
It is important to spend some time shaping your theme as the theme is the message—the why—of your writing.
You imbue the whole of your story with your theme, and it, in turn, influences the choice of every element in your story—even when you’re not aware of it. In fact, all writing carries a message from the writer, an index of the motivation of the artist. Theme can be as broad as “There are good guys and bad guys, and you can tell them apart” and as subtle as “I want to tell others what it was like to live at a certain time of my life.”
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Revealing Ourselves in a Memoir — 3 Reasons We Don’t Do It.
Why are we afraid of revealing ourselves in a memoir? While writing our stories, all of us, at one time or another, come against the fear of revealing too much of ourselves. The fear is founded—it’s not always a friendly world out there. And…
As we reveal too much about ourselves, we may be revealing too much about someone else.
But, excessive revealing is generally not the problem most memoir writers face. Revealing too little is a much more frequent problem for writers I coach or edit.
Often revealing ourselves in a memoir too little can come about because:
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Memoir Success: Approaching Neverland
Memoir Success
Over the years, I have worked with many writers to help them create and shape their memoirs. It’s my pleasure to bring to your attention once again the success of one such writer: Peggy Kennedy from San Ramon, California, for whom I had the pleasure of providing coaching and editing help that led to her memoir success
Many readers of this blog have been writing for a while and some are despairing of finishing. There is hope. After a number of years of preparation, Peggy Kennedy’s memoir of growing up in a family with a mentally-ill mother, Approaching Neverland, saw print. (Ordering information at bottom.)
While the information below is from over a decade ago, I believe this memoir success story is dateless. Approaching Neverland did well—and so can you. A review in the magazine the Midwest Book Review gave it five stars. Originally fearful of speaking before an audience, she was a guest on a number of radio and television programs. [Free Membership required to read more. See below. ]