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Show up and do the work of writing a book

Show Up And Do the Work of Writing a Book

No one said it would be easy to show up and do the work of writing a book!

“Writing is hard,” you realize again as you look at your production for the day. “Perhaps I’m not cut out for this.”

To your dismay, you have been writing in snippets for many days now. In the mornings, when you show up at your laptop—later and later it seems, you must face, as does every writer, a demanding master: your daily writing. Why can’t writing be more fun? Why can’t it be—well, to tell the truth—less hard?

Oh, how you wish it were the end of your scheduled writing period for the day! Why did you think you could do this book-writing thing!

“Whom am I kidding?” [Free Membership required to read more. See below. ]

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writing a first draft

You Can’t Write Without a First Draft

Writing Your First Draft

Give yourself permission to write a rough first draft. Write pages and pages in which you describe the who, the what, the where and the when of the story. Later, as you rework the piece, the why will be written in. [Free Membership required to read more. See below. ]

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show don't tell

Show Don’t Tell: Don’t Tell Us About Your Characters—Show Them Walking Across the Page!

Show Don’t Tell Rules the Day!

How many times have you heard “Show your story rather than tell it!”

And, how many times have you gone right on and did a lot of telling! I know I have.

“Showing” is one technique that will always improve your writing. I admit that there is some great writing that makes a precedent for “tell,” but as a rule “show” is more effective.

Here are three “show don’t tell” ideas to improve your story—every time. [Free Membership required to read more. See below. ]

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Point of View in a Memoir

The Wrong Point of View in a Memoir Can Throw the Story

Point of view in a memoir can cause a major problem

In 1996 and 1997, I composed about 200 pages of a memoir of my high school years and then it wasn’t going anywhere more than where it had been—mired in facts and details with no spirit.

I merely stored it in various computers for years.

In the fall of 2013, I completed my mother’s memoir (We Were Not Spoiled). Because I was looking for a writing project I might devote myself to next, I picked up the high-school memoir. [Free Membership required to read more. See below. ]

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one true sentence

Hemingway’s “One True Sentence” Can Save Your Memoir

How a “one true sentence” can save your memoir

 

I have found the “one true sentence” to be very effective in focusing both my own memoir writing and in the writing of people I have coached and edited. Hemingway’s one true sentence is an effective tool for better writing. [Free Membership required to read more. See below. ]

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write a significant memoir

Your Life as a Myth Part 3

The following is the third installment of a three-part series on the use of myths and archetypes in memoir writing. In this first post of Your Life as a Myth, I wrote about both archetypal patterns in general and about the martyr archetype. In the second post, I wrote about the orphan and the martyr. These posts are excerpted from Turning Memories Into Memoirs / A Handbook for Writing Lifestories.

In the first installment of Your life as a Myth I wrote about the martyr archetype and in the second installment, I wrote about the orphan and the prince-left-at-the-pauper’s-door. Today, I will offer you some practical suggestions for implementing the concept of archetypes in your memoir writing.

Writing from the perspective of personal myths can explain a lot about the stories you are recording. In addition, consciously living archetypes in your own life and turning them into positive forces is a rewarding path for self-growth. [Free Membership required to read more. See below. ]

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life as a myth

Your Life as a Myth Part 1

The following is the first installment of a three-part series on the use of myths and archetypes in memoir writing. In this first post of Your Life as a Myth, I write about both archetypal patterns in general and about the martyr archetype. In the second post, I write about the orphan and the martyr. In the third post, I write about general considerations of using myths and archetypes. These posts are excerpted from Turning Memories Into Memoirs / A Handbook for Writing Lifestories.

 

Myths are the stories we create to express how we perceive the world and life. How we live our lives is determined by the myths we live by, but our lives also reveal our myths to ourselves and to the world.

What are your myths? Look at your life, at your feelings, at your responses to others. That is where your myths reside! That is where your life as a myth can be found. [Free Membership required to read more. See below. ]

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writer's block

An Effective Strategy to Work Through Writer’s Block

Why let writer’s block stop you?

“What can I do about writer’s block?” I am asked regularly by stumped writers.

“Pretty much the same as a plumber does with a plumber’s block,” I’ll respond.

People twitter at this reply. Perhaps it’s because they take my response to their writer’s block question for a joke and they’re anticipating a good punch line.

But, this is no joke. [Free Membership required to read more. See below. ]

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vivid characters

Vivid Characters Are Essential in a Memoir

Why Creating Vivid Characters is Essential

The people in your story are your characters. It is your task as memoirist to bring vivid characters to the attention of your readers. You must use descriptive writing to present believable characters. Without other people, our lives and memoirs risk becoming dull. Although ideas are pivotal for many individuals, relationships are even more commanding. We are intrigued with who other people are and how they function. “Who’s that? What are they doing? Where did they come from?” These are question we want answered. To write a strong story, capitalize on this interest.
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Pathway to memoir writing

Don’t De-value Your Characters by Using Cliches and Stereotypes

Cliches and Stereotypes

Don’t devalue your characters by using cliches and stereotypes. This will undermine the unique and personal feel of your memoir. Cliches and stereotypes place people in categories. As short-hand ways of writing and speaking, they reflect ready-made thoughts and adversely affect the ways we relate to our families and friends as unique individuals.

  • “She was a mother-hen; You know how mothers are!”
  • “My father had a heart of gold.”
  • “Those were beautiful days when we were happy.”

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