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Archive | Strategies for Successful Writing

In this section, you will read about processes and props you can implement to increase your success as a writer. As in all professions and trades, there are “best practices” for memoir writing that facilitate and improve your experience.

By all means, leave comments if you have a practice that you would like to share with us.

The Memoir Network Don't Let Writer's Block Stop You

2 Causes of Memoir Writer’s Block: Not Telling the Truth or Writing Unimportant Material

Many writers suffer from writer’s block, yet few understand—and much less resolve—its possible causes. There are a number of reasons that contribute to difficulty—especially blockage—in writing. In memoir writing, the infamous “writer’s block” can result from avoidance—that is, you don’t want to deal with uncomfortable material and so you “block.”

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Telling The Truth In A Memoir

“If you call a book a memoir, the understanding is that to the best of your knowledge the facts, and what can be verifiable, are the truth. …”

The Memoir Network

How to Write a Memoir – An Interview with Libby Atwater, Part 1

Here’s a recent discussion we had with Libby Atwater who began telling people’s stories professionally after a career in education. As a writer and editor, she has worked for individuals, families, businesses, nonprofits, universities, and community newspapers. Tales from her life have been published in several anthologies. Her memoir What Lies Within covers her first […]

The Memoir Network

How to Write a Memoir – An Interview with Libby Atwater, Part 2

Here’s the second half of my recent discussion with Libby Atwater who began telling people’s stories professionally after a career in education. As a writer and editor, she has worked for individuals, families, businesses, nonprofits, universities, and community newspapers. Tales from her life have been published in several anthologies. Her memoir What Lies Within covers […]

teach memoir writing Memoir Professional Package

How Many Memoir Types Are There?

There used to be one and not several memoir types.

The one kind of memoir genre was that written by famous people about the important events in history that they had taken  part in. Mostly, these accounts were about how wonderful they were and how important their roles in history had been. Oftentimes, these memoirs were about excoriating their political or business rivals and actually provided little emotional or psychological insight into the protagonist other than s/he was a “good guy.”

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Today, we have more kinds of memoir types—or genres—than we could have imagined even only several generations ago. The Memoir Writer’s Blog has a whole category devoted to types of memoir,
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How to Write A Book

How to Write A Book: A Chat With Author William Andrews Part 2

During WW2, the Japanese enslaved thousands of women to serve as prostitutes. I recently had the opportunity to interview author William Andrews about his experience writing his recent novel, Daughters of the Dragon: A Comfort Woman’s Story. Last week, I published the first part of the interview and below I publish the second portion. If you have not read the first portion, it is a good idea to do so before reading the text below.

DL: You changed narrator in this book. You went from a third person to a first-person narrator. You went from a middle-aged male narrator to a young woman. Can you talk to us about why you did that? What were some of the challenges you had?

BA: Yes, both of these changes—from third person to first; from father to granddaughter—really helped the book. Let me start with the second—changing the character. I first wrote the frame of the book (the book is written in a framed narrative or a story within a story) with the father of the adopted daughter as the narrator. Why? Because I was him. It was easy for me. Then I realized that the granddaughter—the daughter of the comfort woman—had the most at stake in the story. By giving her the narrative, the frame had much more power, more emotion. It was more direct, more raw, more dramatic. It wasn’t nearly as easy to write, but it was way better.

As for switching from third to first person, that was a result of needing to give the narrative a better voice. Writers and agents and publishers and coaches talk about “voice” all the time, but it isn’t always clear what it is.  Well, to me, it’s a simple concept, but not easy to do. Voice is the personality of the narrator. Think about it. If you could have your comedy told by either a boring person, or by Robin Williams, who would you choose? Then again, you might not want Robin Williams to narrate your romance since the personality or voice of the narration must match the story. To get the voices right in Daughters of the Dragon: A Comfort Woman’s Story, I changed the narration to first person. Once I did, the personality HAD to come through. The 20-year-old granddaughter said things like, “awesome” and “seriously?” and such. The 80-year-old Korean grandmother’s voice had to be deliberate and precise to match her personality. Structurally, it wasn’t all that hard to change, but really forced me to think about voice.

DL: Is there anything in particular that you would say that was the most difficult thing to do in this book? Was it research, plotting, point of view?

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writing memoir

Writing the right memoir

not writing the right memoir can constrict your writing. The person who has put down one memoir a number of weeks, or months or even years ago, may not be able to pick it up again because the energy that had initially informed it is gone. The memoir has become the wrong memoir to be […]

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