Don’t Worry About a Thing / Katherine Sullivan
Denis Ledoux: At The Memoir Network, we had the pleasure of working with Katherine Sullivan for several years as she edited her memoir, Don’t Worry About a Thing, with one of our editors, Frances King, and focused on book production with Sally Lunt. Because of her insightful articulation of her life experience, I am delighted she agreed to do the following interview (conducted by email.)
Denis: Can you tell our readers—your fellow writers—what your book is about and why you were impelled to write it? What was driving you to spend the time, energy and money to get this book out into the world?
Katherine: Don’t Worry About a Thing is a coming-of-age memoir about life in a small Maine town in the middle of the twentieth century. As a child of a Greek immigrant and a Maine country girl, I tried to find my place in the world. Not all immigrant stories are success stories. I was impelled to write this book to help me find meaning after a childhood spent with a father whose gambling addiction affected every aspect of my life. I searched for answers in an unstable world, and writing was a place where I could question and discover who I was and where I fit in the world. My personal therapy.
Denis: Tell us about your writing process and how long you worked on this memoir.
Katherine: I began actively working on this book in my fifties, so about twenty years, but I knew from when I was a young girl that I wanted to write. There were long breaks when my life in the present got in the way of my writing about the past. I knew though, that I would finish, and to get me motivated during those dry spells, I took writing workshops at various intervals.
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Too Much Backstory–Are you making memoir writing more difficult than necessary?
When you overwrite a story by stuffing it with backstory—and many writers seem to want to tell their entire story in what ought to be a vignette—you disrespect chronology and drama and the reader’s patience.
5 Better Ways to Describe The People in Your Memoir
Without other people, our lives and our memoirs risk becoming dull. Although ideas are pivotal for many individuals, relationships are even more commanding. We are intrigued with who other people are and how they function. “Who’s that? What are they doing? Where did they come from?” These are question we want answered. To write a strong story, capitalize on this interest.
The people in your memoir are your characters. It is your job to bring vivid characters to the attention of your readers. To do so, use descriptive writing to present believable characters.
Many people mistakenly believe that characters in a story have to be well-known to be interesting. When they write their stories, they search their pasts for when they might have crossed paths with the famous. Consequently they write about when they were in the same elevator with some luminary back in 1978. This is not necessarily something that will make your story interesting. A representation of a vivid character is more likely to entice your reader.
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9 Tips for a Fast Start Writing Your Memoir
Ever wish you had the secret of generating a fast way to fast start writing your memoir—or most any other book?
A proven way to start writing is to follow a set of steps that will help you get into the writing habit. When I wrote and published A Sugary Frosting / A Memoir Of A Girlhood Spent in a Parsonage, I appreciated the efficiency and effectiveness of my writing process all the more. A Sugary Frosting is the story of the first 20 years of my deceased wife’s life. She had written a number of her stories but died before completing a memoir. When I took up the task, I followed what I consider to be “best practices” of memoir writing.
Below I offer them to you to help you get a fast start and to write more prolifically—and even bring it to a finish in the form of a published memoir.
Here are my nine “best practices” for memoir writing. They are tried and true and bear implementing today.
1. Set up a regular writing time. This will get you a fast start writing your memoir.
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How Long Does It Take to Write a Memoir?
Sometimes, years after I’ve heard from someone that he is writing a memoir, I will hear from the writer again. Perhaps it’s three or four or five years later, but the writer is working on the same memoir and is not close to finishing. I don’t get it. How long does it take to write a memoir? So I ask politely, “What has snagged your memoir?” In short…
It seems to have taken that writer too long to write his memoir!
So, how long does it take to write a memoir?
Well, I don’t actually know the answer to “how long does it take to write a memoir?” What I know is a memoir needn’t take so long to compose as many people take. People do get bogged down in writing. A memoir—an interesting and meaningful one under 200 pages—can be written in as short a time as 12 to 24 months.
If that’s so, then why do some memoirs drag on and on and risk never getting completed?
Sometimes, years after I’ve heard from someone that he is writing a memoir, I will connect with the writer again. Perhaps it’s three or four or five years later, but the writer is working on the same memoir. I don’t get it. So I ask politely, “What has snagged the memoir?” In short…
I has taken that writer too long to write his memoir!
How long does it take to write a memoir?
Well, I don’t actually know the answer to “how long does it take to write a memoir?” What I know is a memoir needn’t take so long to compose. A memoir—and interesting and meaningful one—can be written in 12 to 24 months.
If that’s so, then why do some memoirs drag on? [Free Membership required to read more. See below. ]
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22 Memoir-Writing Goals to Jumpstart your Memoir Writing
Do you find yourself wandering along with your memoir writing and not achieving your memoir-writing goals? Do you have a sense that you might have accomplished a bit more writing than you have?
At regular intervals, it is traditional to review how the past went for you and to recommit to goals for yourself for the coming months. (A goal is a wish with action steps and a timeline.) These goals need to be written and reviewed periodically.
Studies have shown that people who set goals in writing have a better outcome vis-à-vis accomplishing what they set out to do. Here’s a report on one such study. (The famous Harvard goal-setting study so many of us have heard of apparently never happened, but the concept of goal setting is clearly important and is explored in the linked article.)
22 Memoir-Writing Goals especially for you!
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What would support for writing your memoir look like for you?
While some people succeed at writing an interesting and meaningful memoir on their own, the fact is many people need both more technical expertise than they now have and more emotional support for the long effort they are undertaking. Many find the task of writing a memoir—however urgent and compelling—to be somewhat daunting and, if […]
Down to Basics: Vignettes, Scenes, and Dialogs
Basic units of memoir writing
Vignettes, scenes, and dialogs are at the core of any memoir. Here are some ideas for writing them more quickly and elegantly.
1. Don’t worry about order.
Don’t stop to figure out how these snippets—vignettes, scenes, and dialogs—may eventually fit together into a story.
These bits and pieces will accumulate as you recall more and more and continue to write them down. Giving yourself permission to write in small, separate segments (vignettes, scenes, and dialogs, etc.) is a great way to start writing. Because there will always be your memory list of things to write about, you will never experience “writer’s block!” Fitting these pieces together to craft a polished story will come later, in the rewriting stage. Right now, it’s important to get text—any text—down on paper. [Free Membership required to read more. See below. ]
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The Theme-focused Memoir
While many of the people whom I have helped to write a memoir have come ostensibly to write about their lives – to celebrate some achievement, I would say that many of these people are also writing a mission-driven memoir, a theme-focused memoir.
Behind the desire to tell about their lives, there is some intent to promote a point of view. This comes under many guises. Generally, of course, this point of view is called “theme.”
The theme-focused memoir is the most common model.
Writing a manuscript only of one’s experience—the dates, the facts, the activities—may often not enough to entice the reader—at least, it will not interest the reader who is not family and friends. [Free Membership required to read more. See below. ]