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“Is editing my memoir professionally really so important?” you ask. “I’ve already shown it to my sister-in-law who teaches English at the high school, and she says it’s great.”

You have worked long and hard to write your memoir. You are ready to turn the computer off and receive the accolades you feel you deserve! You are inclined to believe your sister-in-law—after all, it’s what you want to believe.

Wouldn’t it be great to have “There I’ve gotten it all out and that’s that with my memoir” be the same as “The story is ready to be well applauded by the reader”?

When I receive a manuscript that the author has already sent to relatives and friends and hear, “There won’t be much to do,” I am always amazed at how much there still is to tweak to get a manuscript in shape to really make an author proud.

At some level, you are ready to move on, but—wait! Is your memoir really ready for its audience? Is what you believe to be ready for the world actually a penultimate draft rather than a ready-to-be-published manuscript? It may even be a very good draft but it is probably not the finished manuscript you are hoping it is.

Your sister in-law who teaches English at the high school is probably an excellent proofreader—commas, periods and spelling, but unless she has written a long manuscript herself, her expertise is in deconstructing a text and not in constructing one. In fact, she probably has very little competence in how to write a longer piece.

In addition, she will be seeing you many times a year. She does not want to sour your relationship with criticism!

When is a good time to work with a professional editor?

Most writers ought to engage an editor who is also a writer before moving a manuscript on to the public. When you think your writing is ready, it probably isn’t. The fact is you probably need memoir editing.

I had never received memoir editing the way you folks at The Memoir Network do it. When my editor, pointed out how my character’s dialog in the middle of the book wasn’t consonant with what I had her say at the beginning, I knew I had a serious developmental reader who was going to help me shape my story. You folks take editing as seriously as I take telling my story. It’s been a good fit.

Sandra Swain

An editor—especially one skilled in developmental editing—will help you to identify and make the decisions you must make to bring the story, its theme and its promise, out in the open for all to appreciate. An editor will assess your story pacing and shaping and help you tighten both. An editor will help you articulate your story by steering you to develop strong metaphors and vivid images to approach your message from a different angle.

The guidance of the posts below will help you with these tasks. After you’ve read the posts, do yourself a favor and check out the editing services pages and learn how The Memoir Network offers so much more than the blog to help you generate the best manuscript you are capable of.

Editing your memoir is not to be ignored or shortchanged—especially for the first-time and (probably) only-time writer. You have already worked too hard not to bring your best book to the public.

To answer your question, “Is editing my memoir professionally important?” I have to answer: “Absolutely!”

theme in a memoir

A Top Memoir Editor Gets the Job Done

Top editors commit totally to your manuscript. There is no spare-time attention with them! They ask you for your timeline and do everything in their power to meet it. In addition, they have all written and/or edited books. It’s work they’re good at. So… you can confidently expect them to edit fast and with insight. […]

write for a larger audience

Why You Should Work With a Coach or an Editor Early in the Process

Clients will often come to me after having done a considerable amount of writing. Sometimes I will receive 200- and 300-page manuscripts. Among them are manuscripts that are really at the editing stage, but… There are too many that are still—in spite of their polished look on the page—in an early stage of development.