Technological, better distribution systems and a growing interest in reclaiming identity makes self-publishing a memoir the right way a viable option for many authors who want their books to reach a wider circle than their immediate family and friends. It is not true that your book is not worthy to be read unless it has been purchased by a New York corporate publishing house. Self-publishing has many benefits, not the least of which are that you can control production decisions and can recoup your expenses.
The Memoir Writer’s Blog is a collection of stories, articles about writing, guest blog posts and more.
Many people set off to write their memoirs with considerable enthusiasm. Frequently however over the months and years it takes to complete the manuscript, their enthusiasm wanes and the memoir project that had seemed so interesting now begins to bore the writer is soon abandoned.
I don’t think there was ever a writer whose interest in a project has not taken a nosedive. What to do?
Do you wonder how to finish your memoir? I’ve noticed that many people who come to The Memoir Network have already been writing a while. They are not people who are just starting out on the memoir journey. Many have already written 5, 10, 15 or more stories or vignettes. They have been writing for a number of months—sometimes even years—and are concluding that they are spinning their wheels, that they are not producing a book as they so want to do. They realize they are not on the path to bringing their memoirs to a finish. What they are doing is writing stand-along piece after stand-alone piece. Well, a stand-alone piece is not a bad goal really—wouldn’t you love to have stand-alone stories from your grandparents? It’s just that stand-alones are really just not what they want to leave as a legacy.
Is it possible to write more efficiently? Too many writers (I have been among them) allow the book-writing process to go on and on. We lack efficiency which is a practice and, like all practices, it is possible to learn to write more efficiently. There are many ways to learn to write more efficiently but I want to propose only one way here.
As we probably all have done, we can clean a living space up rather well in a few hours if we learn that we have unexpected company arriving soon.
Recently, someone asked me what are the biggest barriers memoir writers face to being successful. Three came to mind right away. Below, I write about them and offer suggestions for eliminating these barriers. 1. Writers often put off writing a good memoir in favor of struggling unsuccessfully to create a perfect one. This is […]
The difference between a memoir and an autobiography can be rather minimal—or they can be fairly large. “So what is the difference between a memoir and an autobiography?” you may persist in asking as so many people do.
Practically speaking, for most people, there is no difference. In common speech, the terms are interchangeable. But technically (or perhaps in the historical meaning of the two words), there is a difference between a memoir and an autobiography.
Why do we love stories? Stories fascinate us all our lives. As children, we loved to be told fairy tales and to hear, time after time, the tales our parents told us about what we did and said when we were babies, as well as the stories about their own childhoods. As soon as we were old enough, we told stories about ourselves for our parents and for our friends.
Why is writing with passion so hard? Why does what you want to write become so difficult to do the moment you sit down to write a memoir? Where are the words you need to convey the excitement or the dread or the anticipation of your life experience? After writing a while, you are shocked to realize that what appears on the computer screen has no pizzazz! This drivel is not what you had in mind when you thought with excitement of writing your memoir.
“Is it possible to support myself in the creative life?” you ask.One day in 1988, I stood in front of a door, on the other side of which was a group of Foster Grandparents. I had in hand a copy of my recent collection of autobiographical short stories What Became of Them and Other Stories from Franco-America. It was a small book, just 104 pages that my wife Martha Blowen and I had “put together” through a brand-new imprint we had created, Soleil Press.
A Master Writer Group: Is it for you?
I belong to several membership groups that have proven valuable to me. Receiving significant new material regularly is a good prompt and I have loved finding a note in my email telling me to log on to the membership site for new products—often bonus products. I also appreciate returning to the membership pages to review material.