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Point of View in a Memoir

The Wrong Point of View in a Memoir Can Throw the Story

In 1996 and 1997, I composed about 200 pages of a memoir of my high school years and then it wasn’t going anywhere more than where it had been—mired in facts and details with no spirit. What I didn’t know was it had a wrong point of view problem

I merely stored it in various computers for years.

In the fall of 2013, I completed my mother’s memoir (We Were Not Spoiled). Because I was looking for a writing project I might devote myself to next, I picked up the high-school memoir again.

(Lest you think that I went to a high school like yours, let me assure you that I did not. I attended a Catholic high-school seminary. No, I’m not writing about sexual shenanigans—there was none of that whatsoever. I am writing about my life there between 1960 and 1964 and how it shaped me. This theme of identity is usual stuff for a memoir, but the setting is exotic in many ways and not at all usual. Almost none of you who are reading this have “been there”—trust me.)

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Suddenly, after more than a decade and a half, the memoir spoke to me again!

“Write me! Write me!” it shouted. The text seemed “alive” again. [Free Membership required to read more. See below. ]

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