Don’t let writer’s block stop you from producing a great memoir!
“What can I do about writer’s block?” I am asked regularly by stumped writers.
“Pretty much the same as plumber does with a plumber’s block,” I’ll respond.
People twitter at this reply. Perhaps it’s because they take my response for a joke and they’re anticipating a good punch line.
Many writers agonize about just where to start a life story, where to begin a memoir. There are, of course, many places where a story can be launched.
A writer begins someplace because beginning someplace is the way it is done. It is only much later that the writer will know where to place this initial piece of writing — at the beginning or elsewhere in the memoir.
The real beginning of your story can sometimes occur in a later paragraph. Move the paragraph that ought to serve as your lead to the beginning of your story and consign your warm-up paragraphs where they belong — in the wastebasket! You’ll be glad you didn’t hide your true lead under unnecessary false starts.
Sometimes people know this crisis before they begin to write; sometimes they have to write a while before they know what it is. Either way, knowing the crisis will be essential. Choose scenes that lead up to the crisis. The first of these scenes is perhaps your beginning.
The last sentence in the introductory chapter is something like: “How did I get to this point — zenith or nadir?” Chapter Two and the rest of the book then answer this question.
Good luck writing as you begin your memoir. Let me know what your experience has been.
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When you’re writing memoir, the project typically starts with a burst of energy. “This is going to be a good piece of writing! What am I saying, ‘good?’
“It’s going to be great!”
So we write for a month or two or even three and the energy remains strong but…
There comes a day when the demon that plagues all writers raises its ugly head and snaps at you.
“What in the world were you thinking of committing yourself to writing this horribly insignificant piece! And worse yet, what were you thinking of alerting other people that you were writing a memoir? Now, they’re going to expect something and you’re about to make a fool of yourself!”
Or, something equally terrible and intimidating goes through your mind. When that happens, what do you do?
DL: An outline or a Memory List? This is a perennial favorite with the search engines. I consider it to be a foundational post whose info can guide you to success. I hope you enjoy it.
For some writers, there comes a moment in writing a memoir when the audacity of the undertaking hits them. Perhaps they think doorslammers like: “This can take forever.” “Writing a memoir will never pay for itself.” “I can’t afford to do this!” They reach for certainty. And that certainly if often a reversion to essay and report writing. They want an outline to assure the task gets done right. So, an outline or a Memory List?
The following is a comment to someone who asked in the Memoir Forum if she should create an outline and how to know when the page and chapters were the right length.
I do not write from an outline. Instead, I create a Memory List as outlined in Chapter 2 of Turning Memories Into Memoirs. The Memory List helps you to follow the promptings of the unconscious rather than the dictates of the conscious mind as happens with an outline. (An outline is great for an essay—”The Three Causes of the American Civil War”— but it is the death of an exploratory memoir.) So…
It is important to spend some time shaping your theme as the theme is the message—the why—of your writing.
You imbue the whole of your story with your theme, and it, in turn, influences the choice of every element in your story—even when you’re not aware of it. In fact, all writing carries a message from the writer, an index of the motivation of the artist. Theme can be as broad as “There are good guys and bad guys, and you can tell them apart” and as subtle as “I want to tell others what it was like to live at a certain time of my life.”
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“What can I do about writer’s block?” I am asked regularly by stumped writers. “Pretty much the same as plumber does with a plumber’s block,” I’ll respond. People twitter at this reply. Perhaps it’s because they take my response for a joke and they’re anticipating a good punch line. (more…)
Many writers agonize about just where to start a memoir. There are, of course, many places where a story can commence. (more…)
When writing memoir the project typically starts with a burst of energy. “This is going to be a good piece of writing! Help to keep you writing your memoir. (more…)
I do not write a memoir from an outline. Instead I create a Memory List as outlined in Chapter 2 of Turning Memories Into Memoirs. The Memory List helps you to follow the promptings of the unconscious rather than the dictates of the conscious mind as is the case with an outline. (An outline is […]
Working with a can bring you great joy as you collaborate to produce the book you have so long dreamed of. On the other hand, it can be a nightmare. Here are five questions to ask the references your memoir ghostwriter has given you about working with him or her. (more…)
You imbue the whole of your story with your theme and it, in turn, influences the choice of every element in your story—even when you’re not aware of it. Consciously shaping your theme can make your memoir. (more…)
Successful Memoir Writing – Recently, someone asked me what are the biggest barriers memoir writers face to being successful. Three came to mind right away. (more…)
Facts are important in memoir writing. The inclusion of dates, addresses, names, and relationships, are one of its special features. Memoir writing cannot, without deleting from its value, omit dates and specific identification of locales, names of individuals and their relationships to one another. Memoir writing is factual writing: hence the importance of facts. A […]
Are You Using Lightning Bug Words? How do we write in lightning and not in lightning bugs? Using the right words when writing your memoir will illuminate and inform your readers. (more…)