Member Menu

Working with a ghostwriter is ultimately a business relationship. No matter how friendly the exchanges, the outcome is that you are paying someone to tell your story. Make sure the process culminates in the book you want. In working with a ghostwriter as in all business relationships, it is always easiest to take care of business matters at the start of the process. Here are three guidelines to keep in mind when establishing how you and your ghostwriter will collaborate. 1. Is the ghostwriter working for hire or does s/he have a stake in the product? A for-hire writer is paid (more…)

In 2018, when I decided to gather the bits of information, journals, diaries, court transcripts and the letters from my life and put them into a book, I had no idea of looking for a developmental editor. I had never thought of myself as a writer, struggled to see myself as an author and had not a lot of thought about how to embark on such a project. I had a burning desire to help others to see that there is goodness in the world and that there is happiness after hardship and a light at the end of the tunnel. Telling people parts of my story seemed to elicit tears, happiness, and wonderment in equal measures.

Perhaps I should—but could I?—write a book?

I had no idea where this decision would lead. Nor did I realize how hard it would be to negotiate the personalities of the significant others in my life who thought they could govern what I could and couldn’t reveal on paper. The actual writing turned out to be the easy part of the process.

The beginning (more…)

Does your memoir need developmental editing? In this video, I discuss why developmental editing is essential, what a developmental editor does, and why you need it for your memoir. If the big New York publishing houses NEVER publish a manuscript without extensive editing, why would you as a self-publisher? A professional editor can quickly and effectively help you tweak your story so that you get to say more clearly and dynamically what you have been trying to say. Editors come in many stripes: some are copy editors, others are content editors while still another kind is a developmental editor. In (more…)
Many people want to know how to be a better storyteller. Some people come to memoir writing with a natural facility for storytelling. If that is you—great! But… Don’t despair if you aren’t one of these natural storytellers. To a great extent, storytelling is a facility which can be learned—you can acquire this facility. It’s a matter of developing both technical skills to shape a story and a belief in yourself as capable of growth and of assuming your rightful role as storyteller. In this YouTube video, “How to be a Better Storyteller”, I share with you how you can (more…)
Writing prompts lead to nothing. As readers of the blog know, I’m not a great fan of using a writing prompt. Sure, they get you to writing something and many will insist, “Writing something is better than writing nothing…” Well, I’m not so sure of that. Writing should matter. It’s hard work, and life is short. What’s better than nothing about writing some text on “the most fun things I did this summer?” as we sometimes had to in school. (No wonder we did not learn to write while in that context!) In this video, I discuss what to use instead (more…)
“Whom are you writing for?” is the question I always ask writers as we start to work together to generate a memoir. “I want my children and grandchildren to know me,” some writers answer, “and I want to place my life in a greater context.Other memoirists will say, “I’m hoping to have readers beyond my kin, readers who are interested in a larger picture of what life was. There are some issues I would like to address.”  Let me repeat a shocking truth: your memoir—and mine—will not appeal to everyone in the world. It is likely to appeal only to a (more…)

Writers ask me all the time: “Who will want to read my memoir?” Recently someone said, ”If I were to write my memoir, it would probably be of no interest to you or anyone else. There is no audience for my memoir!”

Your memoir has a niche audience.

Wondering about the available audience for your memoir is legitimate and necessary. At the core of the effort most writers commit to is a deep desire to share with others—to reach an audience. Certainly this is true of a memoir writer also.

This is the challenge: stop thinking that no one will want to read your memoir. It may be true that I may not be interested in your memoir, but someone in this wide world certainly is. There are some billion people on this planet who read English. Surely you will find there will be “an audience for my memoir” among that billion!

Find your niche

The name of the game for an unknown memoir writer seeking an audience is niche writing and marketing.

(more…)

As you articulate your memoir theme, ask yourself if this memoir theme is really yours—does it reflect your present understanding of your story and of life itself? Or is it a residue of the accepted “wisdom” of someone else: a parent, another adult figure, society at large?

1) A theme that is authentically yours makes for better writing.

It comes from your center of experience. Writers who recognize, acknowledge, and explore their authentic memoir themes in their writing are more apt to present us with clear, to-the-point stories than those who repeat inherited memoir themes or who think they can ignore the issue of theme.

Early in our lives, you and I were naturally and rightfully the recipients of someone else’s—a parent’s or grandparent’s—understanding and interpretation of life. As long as these interpretations correspond to our own adult views, we can write easily within their context. What often happens, however, is that we continue to espouse a point of view inherited from another without realizing that it has ceased to correspond to our own. When challenged, we will say “Well, I guess I really don’t believe that anymore. Isn’t it something how I wrote (or said) that!”

(more…)

Is hiring a memoir ghostwriter a good idea?

You’ve lived a life that you feel merits a memoir. Perhaps you’ve risen from poverty to riches, perhaps you have done a “first” and you want people to know it was you, or perhaps you want to celebrate a lost world, a world that has since disappeared. Should you write yourself or should you use a memoir ghostwriter?

You try your hand at writing but you realize that it is too difficult and that the learning curve is too steep. Perhaps you have begun to write and are lost in the shaping of an interesting memoir. (What does it mean to “shape” and “pace” a book?) Or, perhaps you could write the memoir but you are so busy with other things that you hardly have the time to devote to it.

These scenarios call for a ghostwriter who can guide you through the process and write the book as per your instructions. But, you don’t feel comfortable with that. You have reservations.

1. Isn’t using a memoir ghostwriter a bit like cheating?

(more…)

Memoir storytelling

How to be a Better Storyteller

In this YouTube video on how to be a better storyteller, I share with you how you can learn to make effective use of a variety of technical skills to shape successful lifestories. (more…)

Memoir Writing

Whom Are You Writing For?

“Whom are you writing for?” is the question I always ask writers as we start to work together to generate a memoir. “I want my children and grandchildren to know me,” some writers answer, “and I want to place my life in a greater context.Other memoirists will say, “I’m hoping to have readers beyond my […]

audience for my memoir

Who Will Be the Audience for My Memoir?

Your memoir has a niche audience. Writers ask me all the time: “Who will want to read my memoir?” Recently someone said, ”My memoir is probably of no interest to you or anyone else. There is no audience for my memoir!” Wondering about the available audience for your memoir is legitimate and necessary. At the […]