
Clichés in your memoir—you need them like you need a hole in the head.
You can avoid cliches and stereotypes. If you do not avoid cliches and stereotypes, you will undermine the unique and personal feel of your memoir. Cliches and stereotypes place people in often erroneous and certainly indefensible categories.

Your Memoir’s “BIG WHY”—A Foundational Concept
What is your memoir’s BIG WHY? Without a BIG WHY, your memoir will not shine. You story will be smaller than it needs to be.

Be a Better Memoir Writer with Deliberate Practice
Memoir writers can achieve much alone. But, it is also true that working with a memoir professional can cut down the time it takes to produce a book of memoirs and can significantly jack up the quality.

Five Tips for Avoiding Vagueness in Your Memoir
Do you struggle with vagueness in your writing? Here are 5 tips for writing clearly and vividly to help you avoid vagueness in your memoir.

12 Reasons People Quit Writing a Memoir
Have you quit writing your memoir? Why? What would help you keep writing? Here’s a list of reasons why people quit writing a memoir.

Your Memoir: Write with Your Audience in Mind
Before you start your memoir, write with your audience in mind by answering your readers’ questions. How do you do that? Try this exercise.

Don’t Worry About a Thing / Katherine Sullivan
Denis Ledoux: At The Memoir Network, we had the pleasure of working with Katherine Sullivan for several years as she edited her memoir, Don’t Worry About a Thing, with one of our editors, Frances King, and focused on book production with Sally Lunt. Because of her insightful articulation of her life experience, I am delighted […]

9 Tips for a Fast Start Writing Your Memoir
To help you to get a fast start writing and to write your memoirs more prolifically–and even bring them to a finish in the form of a published memoir–I offer these nine suggestions. They are tried and true tips that bear repeating and repeating.

How Long Does It Take to Write a Memoir?
Sometimes, years after I’ve heard from someone that he is writing a memoir, I will connect with the writer again. Perhaps it’s three or four or five years later, but the writer is working on the same memoir. I don’t get it. So I ask politely, “What has snagged the memoir?”