Memoir writing techniques refer to the “tools” of writing. Tools are instruments people use to make or facilitate fashioning something. Often, we cannot make what we want to make without the proper tools. So tools are not only helpful, they are often necessary to our success.
If you were a carpenter, you would use hammers and saws and levels, etc., to create solid, beautiful objects. The carpenter who uses stones and tree branches and kicks materials together with his feet, however, is not likely to produce a solid, beautiful result. (Not that I would know from personal building experience!)
A range of tools is also true with writing. There are “tools” which we call memoir-writing techniques. If you use them, they will help you to write a more elegant, more interesting and more impactful memoir. Other tools—or lack of them—will produce crude, uninteresting pieces of writing.
How to Use this Category
This section on memoir-writing techniques is our most visited category on the Memoir Writer’s Blog. Rightfully so as it contains a cornucopia of suggestions for better writing—or should I say “tools” for better writing.
If you have a specific inquiry—for instance, “which point of view should I write my mother’s memoir in?”—go directly to that subcategory in the right hand menu of “Blog Categories” under “Techniques.” In most subcategories, you will receive plenty of insights to help you with your issue. (Beyond this, you ought to consider coaching. Coaching has helped many writers break through impasses—of technique, motivation, insight.)
There are other visitors who may not have a specific need and so may prefer to read through the different titles to select one to learn about various memoir-writing techniques they may eventually need.
Consider this category as a university-level reading list for you to inform yourself on the possibilities of memoir writing.
Below are articles which present many different memoir writing techniques. This list does not, by any means, exhaust the possibilities of techniques. Learn to use these and other tools of writing.
One more thing…
One article in this category, How to write a memoir: our 21 Best Memoir-Writing Tips to get you writing your memoir—quickly and well—and getting it into the hands of your public, ought to be bookmarked for continuing reference. It’s that good.
In conclusion
The posts below ought to be persuasive in getting you beyond spontaneous writing into writing that helps a reader understand what you have written.
Three Pillars of a Powerful Memoir
There is power in writing your story. Your memoir can transform you as it leads to understanding the energy in your life and ultimately making that energy work for you.
The three pillars of a powerful memoir I want to talk about are the old stand-bys of character, action, and setting. A story is not a journal entry. Unlike a journal, a memoir needs development. Ranting and raving fit into a journal but not into a story—unless ranting and raving are in the dialog. Story has its own dynamics which in turn lead to their own conclusions. In writing your memoir, connect to your story as a literary form—literary here refers to in writing. There are requirements that go into the creation of an effective story—whether written or spoken. As mentioned before these are character, action, and setting.
Be Guided by These 3 Pillars of a Powerful Memoir When Writing Your Story
1. Your characters are the people in your story
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Five Tips for Avoiding Vagueness in Your Memoir
Avoiding vagueness in writing is something many writers struggle with.
When writing slips into vagueness, the reader reads and rereads the text and does not quite “get it.”
I’m sure this has happened to you. You are reading something and you find yourself wondering: “What’s the author trying to say? What’s going on here?”
Not a good place for an author to land a reader.
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How to write vividly–Avoiding vagueness in writing
If you want to learn how to write vividly, use the following tips for avoiding vagueness in writing your memoir.
When a manuscript slips into a vagueness, the reader reads and rereads and does not quite “get it.”
“What’s the author trying to say here?” we ask ourselves. “What am I missing?”
Here are a few of my ideas as to why this may happen.
1.
Solution if this is you: journal around the story, look at your photos, take a walk to ruminate about the events you have written about, ask yourself, “What exactly am I trying to convey here? What do I really mean to say?”
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Sweetheart, Are You Using Precise Words for Your Memoir?
Is writing precise words really important in a memoir?
Over the years, I have written energetically about the importance of writing precise words instead of generic ones.
I was dropping someone off at the bus station (aka the Intermodal Transportation Center) when I overheard an exchange that purported to be a dialog that convinced me once again of the necessity for precision in speech–and, by extension, in our memoir writing. It was proof that generic words really do miss the mark and lead to confusing messages.
A grandmother was seeing her daughter (I presumed from the similarity of looks) and three grandchildren off—or perhaps it was the other way. The grandmother had said goodbye to the two girls and there was a boy of about 10 whom she had not yet bid her fond farewell to. He was looking around the space, distracted by this and that and not paying much attention to what was going on.
“Sweetheart,” the grandmother said, holding her arms out to hug him. The boy continued to look around elsewhere.
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What is Your Memoir’s “BIG WHY”
What is your memoir’s BIG WHY? Without a BIG WHY, your memoir will not shine. You story will be smaller than it needs to be.
As I interview prospective clients for coaching—something I do often, I listen to why their reasons to write a memoir. Many do not yet have a compelling reason to write their memoir, a pushy “why.” I strongly suspect they will not continue into coaching or editing—and may not finish their memoir at all.
What is your memoir’s BIG WHY?
Yes, there is something that has urged them to be in touch with me, but that presenting reason, I sense, is not yet gnawing at their consciousness, boring into them until they have to give in to it, causing non-writing to be more painful than writing. These people will “try to write” a memoir, but I sense they are not committed.
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Banish Fear of Revealing Too Much: Be a Bigger Presence in Your Memoir
The fear of revealing too much of ourselves in the memoir we are writing can be paralyzing.
We wonder: “What will people say? How will people react to what I am revealing?” So…
We hold back in our writing. We stop ourselves from personal revelation, from sharing secrets.
The fear is founded—it’s not always a friendly world out there. And, of course…
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Writing Hooks to Open a Paragraph or Chapter
“How do I start a chapter so that it has writing hooks that capture the reader’s interest?” you ask.
In this post, I give you three surefire ways to open a chapter or even the whole of your memoir. You’ll use one of these writing hooks time after time.
These three methods involve creating curiosity in your reader. This curiosity via writing hooks is easy for you to ignite so that your reader will want to read your story.
The first of the writing hooks
The first technique is to start with a conversation, but you must start with the second half of that conversation and not the first part.
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Too Much Backstory–Are you making memoir writing more difficult than necessary?
When you overwrite a story by stuffing it with backstory—and many writers seem to want to tell their entire story in what ought to be a vignette—you disrespect chronology and drama and the reader’s patience.
Who is Your Memoir Narrator?
This may sound like a trick question, but it’s not. In fact, “who is your memoir narrator?” is a very serious question that will determine—or at least greatly influence—the tone and the theme of your narrative and how your reader views your story as being truthful.
Your choice of memoir narrator and the consequences of this choice.
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