As a memoirist, do you accept that your family, your friends and your acquaintances are characters in your story? Easy, proven tips for adding feelings to a memoir
Writers seem to grasp the need every memoir has to have well-developed character and action, but the same is not true of memoir setting.
Can you assume you can depend on your memory when you write your lifestories? The problem with this assumption is that memory isn’t always as reliable as you may want it to be! What are the best interview practices to find out if your memory is spot on?
Look with new eyes to get more info from your photos “Where do I find more details for my memoir?” you ask. “I remember a lot and I’ve done my Memory List, but where are the small stuff I need to ground my memoir—and possibly provide new insights?”
Is your family one of the many whose history is at risk for getting lost to future generations because no one has written it down? Here is a clear focus for writign a memoir Writing your lifestories—even just a few—is a great way to memorialize your family and to keep the experience of your life—and […]
The clearer you are in your choice of precise words, the easier it will be for your reader to understand your writing. The reader will be able to respond to you as you wish the reader to respond—instead of looking around while you are pleading “sweetheart, sweetheart.”
Show Don’t Tell Rules the Day!
How many times have you heard “Show your story rather than tell it!”
And, how many times have you gone right on and did a lot of telling! I know I have.
“Showing” is one technique that will always improve your writing. I admit that there is some great writing that makes a precedent for “tell,” but as a rule “show” is more effective.
Here are three “show don’t tell” ideas to improve your story—every time. [Free Membership required to read more. See below. ]
Successful stories are full of sensory details (colors, shapes, textures, smells, sounds, flavors. When your stories portray a vivid world (“three sweet-scented roses”) rather than a vague one (“some nice flowers”), you make it easier for readers to take the leap of faith into the world of your writing.
Abstraction kills a story
If your story has abstract and vague wording like “After a while, absence from home made fidelity difficult for him and he committed adultery…,” your readers will be less interested in (and less swayed by) what you have to say than if your narration is filled with concrete details. [Free Membership required to read more. See below. ]
Memoir or Autobiographical Fiction?
Memoir or autobiographical fiction—what’s the difference? I have been reading a memoir that has been doing well here in Maine (it’s by an excellent Maine writer)–I can’t vouch for its reach in the rest of the country. It was published by Houghton Mifflin Harcourt so I can only presume it is receiving support elsewhere.
It’s an interesting book, very well-written in terms of style and organization, but my nagging doubt [Free Membership required to read more. See below. ]