When you are writing a first draft
Nothing can rightly be called a first unless there is a second. First grade implies second grade; first class implies second class; first book implies (we hope) second book, a first draft implies a second draft.
That is why first drafts are called first drafts. A writer must expect to write a second draft, and a third even. No one can sit down and churn out countless pages of prose that don’t need rewriting. Jack Kerouac claimed he did it with On the Road, but we know now that he was stretching the truth.
Writing a first draft is your opportunity to let all the words you have bottled up inside of you spill out onto the page. It can be as messy, as nasty, as melodramatic as you want. There are bound to be spelling errors, grammatical errors, factual errors, and missing information. The important part about writing a first draft is to write it all down.
Finishing writing a first draft is important because many of your anxieties about writing will vanish when it is done. You will know that you can in fact write things down. You know that your stories will live on in some fashion, as unruly as that first draft might be. You will have a tremendous sense of accomplishment. However, you are certain to feel some disappointment with the draft.
Disappointment follows writing first drafts
This is good. That disappointment will spur you on to a second draft. You might end up chucking aside the entire first draft and starting from scratch again. This time, your story will be clearer in your head. You’ll remember the good stuff, and happily leave out the dreadful. Or you might take the first draft and a fistful of sharp pencils and get to work pruning and primping. You’ll look up the right spellings, correct the grammar, fill in the missing information.
Just as important, you will read your work with a more critical eye. You’ll find places where you can expand your story and characters you can bring to life. You will start to notice themes in your work, and the way your story connects to something larger than yourself.
But without writing a first draft, you would not have gotten there. First drafts are often meant to be tossed aside as some point. (Do you really think Herman Melville wrote, “Call me Ishmael” the first time out? He probably wrote, “My name is John.” See what a second draft can do?) Writing a first draft is your opportunity to write wildly, feverishly, frantically. Use this opportunity well.
Good luck writing your memoir and remember to stay in the memoir conversation.
Sometimes to help you show up and do the writing, what you need is a writing coach to hold your hand and encourage you and sometimes you need a writing coach to point out technical solutions to your writing problems and sometimes you need a writing coach to keep you honest (which will connect you to your source of inspiration). Click here for more info on coaching and then call 207-353-545 to book your complimentary session. In even is so short a time as a half hour, you will be amaze at the movement you can achieve with coaching.
We have helped many people whose lives demanded to be recorded but who themselves were not writers to create interesting and well-written memoirs.
We listen to you speak your story. We ask you a multitude of questions. Then we get to work writing. We come back to you with text and you make lots of corrective comments and we ask you a whole lot of new questions. Then, we go back to writing again.
Over time, your story develops into a memoir—one that you have shaped at every stage of the writing process.
We offer a free consult. Call today at 207-353-5454 to make an appointment.
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